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MAKING HEADLINES

The St. Louis region and its companies often make national news. This column highlights some of the most recent headline grabbers.

St. Louis Art Makes News

With the fall opening of the Pulitzer Foundation for the Arts, this new building and many other St. Louis art organizations have been making headlines.

New York Times Anticipates Opening of Pulitzer Foundation


The geometric, low-rise Pulitzer Foundation for the Arts was a lead story in “The Living Arts” section of The New York Times earlier this year. Not only will it house the modern and contemporary art collection of the late Joseph Pulitzer, Jr., the $17 million, 25,600-square-foot facility is the first public building in the U.S. by world-reknown Japanese architect Tadao Ando who won the 1995 Pritzker Architecture Prize.

Curator and founder is Emily Rauh Pulitzer, former curator of the Saint Louis Art Museum and widow of Pulitzer who died in 1993. The center already had its first new piece before completion, a commissioned Torqued Ellipse by Richard Serra, titled “Joe” in honor of Mr. Pulitzer. The facility is described both as an alternative viewing environment and an educational center for art professionals. The new Pulitzer Center for the Arts will raise awareness for both the arts and architecture in St. Louis.

St. Louis People Project Part of Summer Art in the Streets Across the U.S.

The People Project was not simply part of the St. Louis art scene; it was part of the scenery during this past summer. In a round-up story of “art in the streets” projects across the country, USA Today highlighted St. Louis’ The People Project. Other cities’ street art exhibits mentioned in the story include: Chicago, Lindsborg, Kan.; Omaha, Neb.; Toledo, Ohio; Salt Lake City; Seattle; Raleigh, N.C.; and Sun Valley, Idaho.

A joint effort of the St. Louis Regional Arts Commission and FOCUS St. Louis, The People Project featured more than 200 unique, human figures that populated a 12-county area of the bi-state region for a temporary display. Local artists, students and citizens transformed the “People Figures” in a variety of themes, colors and expressions. Area sponsors then “adopted” the figures, which were displayed throughout the region in parks, in shopping malls, on street corners and in front of businesses or other public buildings.

“This can bring support and awareness to the arts,” said Porter Arneill, The People Project director, in a conversation with USA Today. “It’s also a way to have some fun.”

The figures were on public display in their temporary locations from April through September. Selected figures will be available at The People Project Charity Auction on October 20 at Phillips Selkirk Auctioneers and via the Internet. Net proceeds will benefit public art and art education programs as well as sponsor-designated charities. For more information, contact The People Project at 314/531-5150 or www.thepeopleproject.com.

Art in America Highlights Entire St. Louis Art Scene

The July issue of Art in America, a leading national art magazine, focused on the St. Louis art scene covering the Grand Center Arts District, the Saint Louis Art Museum, Laumeier Sculpture Park, and the Museum of Contemporary Religious Art, as well as the anticipated opening of Pulitzer Foundation for the Arts.

Along Grand in Midtown, writer Ann Wilson Lloyd mentions all the landmarks in the area including St. Louis Symphony’s Powell Hall, Sheldon Concert Hall, the Grandel Theater, home of the St. Louis Black Repertory company and Fox Theater. She writes extensively about the Forum for Contemporary Art, which broke ground in April for a new 26,000-square-foot building opening in 2002. Another arts neighbor getting attention on Grand is the soon-to-open Pulitzer Foundation for the Arts, expected to display portions of Joseph Pulitzer, Jr.’s renowned modern art collection. Adding the art-viewing facilities should increase daytime traffic to the area, now frequented mostly for evening performances.

Moving on to the Saint Louis Art Museum, Lloyd mentions SLAM’s strong collection of works by Max Beckmann, who lived in St. Louis and taught at Washington University during the 1940s. She gave kudos to SLAM’s exhibition last summer entitled “Wonderland,” large contemporary pieces designed by 10 international artists.

Laumeier Sculpture Park, celebrating its 25th anniversary, is in a transition phase. Home to 60 sculptures, the area is both a St. Louis County park and an outdoor gallery. Another interesting art site in the area is the Museum of Contemporary Religious Art, opened only eight years ago on the campus of Saint Louis University. At Washington University, construction is underway on the Visual Arts and Design Center, scheduled for completion near the end of 2003.

The Art in America article moves on to news about artists in St. Louis and programs like the Henry L. and Natalie E. Freund Fellowship, which brings nationally known artists to the area to exhibit and teach. Arts in Transit, the fine arts programs at Webster, Washington University and Saint Louis University are all mentioned.

The writer wraps up her story with a tour of the gallery districts in the Central West End and Clayton. She visits the William Shearburn Gallery, Elliot Smith Contemporary Art, the Locus Gallery and the R. Duane Reed Gallery.

Graybar and Reynolds listed in Business Week as a Top Private Info Tech Company

Above: Business Weeks’ June 18, 2001 issue featured Graybar Electric as one of the nation’s top private “Info Tech” companies

The Business Week “Annual Report” issue in June listed its top 100 Info Tech companies and a companion story listed the leading private firms in the U.S. Number four on the list of top private Info Tech Companies is Graybar Electric of Clayton, Mo. The 132-year-old Graybar is a leading supplier of cable, connectors and other communications-related equipment. The Business Week story mentions Graybar’s growth in sales and a recent reorganization, which focused on quick efficient product delivery. Leading the challenge for customer efficiency and increasing sales is Graybar CEO Robert Reynolds. He has been with the company since he graduated from college in 1972 and accustomed to the Graybar culture. This put him in the right perspective to persuade managers to make changes. According to the Business Week story, customers are showing their appreciation with increased sales last year of $5.2 billion, a 21 percent jump.

Inland Diving at Bonne Terre Mine Listed as Popular Recreation

Above: Bonne Terre mine is the largest subterranean lake in the world and one of the best inland diving adventures.

Bonne Terre Mine, the world’s largest man-made underground cavern and largest inland scuba diving facility, was in the news again in a July issue of Newsweek. The mine was one of only four inland diving sites highlighted. A color photo, captioned “Picking a winner: Bonne Terre Mine,” accompanies the story. Mine owner Doug Goergens is quoted in the magazine, ”It’s like diving through mining history.”

Located 150 feet beneath Bonne Terre, Mo., the mine covers about 80 square miles and received nearly 15,000 divers each year. The clear water offers 100-foot visibility and hosts more than 24 different scuba tours. Plus, constant water temperatures allow for year-round diving.

The St. Joseph Lead Co. started mining near Bonne Terre in 1869. The mine was the world’s largest producer of lead until the supply diminished in 1961. Twenty years later, Doug and Cathy Goergens, owners of the West End Diving Center in St. Louis, rediscovered the mine. They turned the mine, which had three levels filled with water, into a unique diving experience. In addition, non-divers can enjoy boat and walking tours through the mine.

The Newsweek story is one of several honors received by Diving at Bonne Terre Mine in recent years. The site was featured in the top 10 of National Geographic Adventure magazine’s favorite outdoor experiences. Diving Bonne Terre Mine also has been featured on The Family Channel, “Good Morning, America” and the Discovery Channel.

NPR’s Talk of the Nation Broadcasts Live from St. Louis on 90.7 KWMU

Talk of the Nation, a news-talk radio program from National Public Radio News, broadcast live from St. Louis on Thursday, July 26, from 1 to 3 p.m. at the Saint Louis Art Museum auditorium. Talk of the Nation is hosted by Juan Williams and is heard Monday through Thursday from 1 to 3 p.m. on 90.7 KWMU.

The St. Louis broadcast was the final show in the “Changing Face of America” program, an 18-part town-hall series on our changing society in the 21st century. The show included guests’ questions from the St. Louis audience, and phone calls from around the country.

The first hour featured a discussion on demographic shifts, including the retirement of baby boomers and increases in Latino and Asian American populations, and economic changes, including the effects of recent layoffs in the “digital economy.” Guests in the first hour were Joel Kotkin, author of “The New Geography: How the Digital Revolution is Reshaping the American Landscape” and a Senior Fellow at the Davenport Institute for Public Policy at Pepperdine University and at the Milken Institute; William Frey, a demographer, sociologist and research scientist at the University of Michigan Population Studies Center and a Senior Fellow at the Milken Institute; and Jack Beatty, senior editor at The Atlantic Monthly and editor of “Colossus: How the Corporation Changed America.”

The second hour of the broadcast included a discussion on the American community in the 21st century, asking whether our nation is becoming increasingly isolated and fragmented. Guests in the second hour were Michael Barone, author of “The New Americans: How the Melting Pot Can Work Again” and co-author for the last 30 years of “The Almanac of American Politics” and Wayne Fields, professor of American Literature in the American Cultural Studies Department at Washington University.

 

 

 


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